About LIVE Theater Co.
Company History
LIVE's premiere season included Midwest Moment, two one-acts by Chance D. Muehleck, and Creative Response Team, a series of plays, music and readings responding to the events of September 11. In 2002 we produced Eating the Dead by Jane Shepard, a new play concerning two sisters and their volatile search for redemption.
In the summer of 2005, we were proud to present Mr. Muehleck's System Eternal as part of the New York International Fringe Festival. Our work has also been seen at Dixon Place, chashama, and Pittsburgh's FLUX Festival.
We have recently introduced an exploratory and developmental wing of the company called
T H E N E R V E T A N K. Please click on its page for more information.
OUR TEAM
Melanie S. Armer
Chance D. Muehleck
Co-founders
Melanie S. Armer is the Co-founder of The Nerve Tank, where she developed and directed Chance D. Muehleck’s In The Heart of a Chinese Curse at Dixon Place as a part of their “Under Construction” series in 2008. She also developed and directed Mr. Muehleck’s The Attendants at chashama in the fall of 2007. Past collaborations with Muehleck include directing the 10-minute version of A Gathering, created for Open Stage's Play-In-A-Day and remounted by Dog&Pony in Pittsburgh, and Tagging April for FLUX and in Valdez, Alaska. She is the Co-founder and Artistic Director of LIVE Theater Company, where she has produced and directed the world premieres of Muehleck's The Honeypot Redux and Jane Shepard's Eating the Dead. Work with other NYC theatre companies includes The Ensemble Studio Theatre, The Women's Project & Productions, New Georges, Theater for the New City, the 2002, 2005 & 2007 NYC Fringe Festivals, and over 25 plays for Circle East. In Pittsburgh her work includes As Bees In Honey Drown and Sympathetic Magic at The Open Stage Theatre (where she also served as Managing Director), and The Cay at Prime Stage. Ms. Armer assisted Leonard Foglia on the Broadway revival of Wait Until Dark and director Michael Warren Powell on Lanford Wilson's A Sense of Place. Ms. Armer is a member of SSDC, a proud alumnus of The Lincoln Center Directors Lab, and has taught at Marymount Manhattan College and Point Park University in Pittsburgh. Her current focus is on developing non-traditional theater in collaborative environments.
Chance D. Muehleck is a creator of play texts, theatre assemblies, and concepts for performance. His work has been developed or produced at Theatre Artists of Marin in California, and at Circle Repertory Theatre, Ensemble Studio Theatre, and The Present Company in New York. Primary Stages commissioned him to write a short play on the American experience, which was then presented Off-Broadway. He is the recipient of the John Golden Award for Excellence in Playwriting and was a finalist for the Actors Theatre of Louisville’s Heideman Award. His multimedia performance installation The Attendants was developed while in residence at chashama, and will travel to Basel, Switzerland in 2009. He is Co-founder of The Nerve Tank, an independent theatre based in New York that produces collaborative art for the twenty-first century. His physical theatre piece In the Heart of a Chinese Curse was workshopped at Dixon Place. Chance has taught playwriting at Hampshire College and Point Park University, has written reviews for The New York Theatre Experience, and served as an adjudicator for the New York International Fringe Festival. As a dramaturg he assisted Tammy Ryan with her play Baby’s Blues at the Pittsburgh Playhouse. Two of his monologues appear in the Audition Arsenal series published by Smith & Kraus. His memberships include The Dramatists Guild, Inc. and Circle East.
PRESS
An antic sci-fi thriller-comedy, Our Father's House [by Chance D. Muehleck] is surreal and broad and intriguing; it's clearly meant as satire.
--Martin Denton, NYTheatre.com
Our Father's House, by Chance D. Muehleck, is another case of deceptive appearances... Each of the ensemble of courageous players jumped into this surreal swimming pool with both feet, coaxed through the comedic chaos by director Melanie S. Armer.
--Elias Stimac, OOBR
Chance D. Muehleck's The Honeypot Redux is the most fully-realized play of the program... It's all very Pinteresque, with a creepy, off-kilter feel.
--Anna Rosenstein, Pittsburgh Post-Gazette
The Honeypot Redux by Chance D. Muehleck... is another example of glorious writing. The most complete of all the works, it's a full-length play in miniature.
--Ted Hoover, Pittsburgh City Paper
[Eating the Dead] is a compelling, intriguing tale, punctuated by fanciful spirits of the haunted night that may or may not be real. Melanie S. Armer directs this sometimes chaotic play with a kind of pixilated naturalism that suits the material well.
--Martin Denton, NYTheatre.com
Two parallel stories converge in Lanford Wilson's Sympathetic Magic... Under the direction of New York director Melanie S. Armer, Wilson's trademark character development shines.
--John Hayes, Pittsburgh Post-Gazette